Fábulas
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2015 , 2015
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Book, Whole
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This is a tall (almost 8" x 11½") hardbound book with soft covers. It offers thirty-one fables, each with its own two-page spread, by a variety of authors. The only surprise among the authors is Jean-François Guichard, who presents "El sapo y la luciérnaga" (38). Apparently the toad eats the glow-worm because the glow-worm does something that the toad cannot do, namely "brillar," shine. It seems that Hartzenbusch also told this fable, and that may be the source of its inclusion here. I think Hartzenbusch's "Monkey, Ass, and Mole" is new to me (24-25). Monkey complains of not having a tail, ass of not having horns, and mole of being blind. Typical of the book's big, strong art is "Los toros y las ranas" (30-31). I am happy to see a less frequent fable like SS show up in this group (52-53). Did I know before Iriarte's provocative fable of "The Elephant and the Other Animals" (56-57)? The elephant offers comments on how to live a good life and criticizes harmful faults. The predators start to criticize and leave. Apparently Iriarte's point is that he is not writing about particular men but about human faults. I think the closing sentiment is "If you believe it touches you, it is you -- not me -- that criticize you."
This is a tall (almost 8" x 11½") hardbound book with soft covers. It offers thirty-one fables, each with its own two-page spread, by a variety of authors. The only surprise among the authors is Jean-François Guichard, who presents "El sapo y la luciérnaga" (38). Apparently the toad eats the glow-worm because the glow-worm does something that the toad cannot do, namely "brillar," shine. It seems that Hartzenbusch also told this fable, and that may be the source of its inclusion here. I think Hartzenbusch's "Monkey, Ass, and Mole" is new to me (24-25). Monkey complains of not having a tail, ass of not having horns, and mole of being blind. Typical of the book's big, strong art is "Los toros y las ranas" (30-31). I am happy to see a less frequent fable like SS show up in this group (52-53). Did I know before Iriarte's provocative fable of "The Elephant and the Other Animals" (56-57)? The elephant offers comments on how to live a good life and criticizes harmful faults. The predators start to criticize and leave. Apparently Iriarte's point is that he is not writing about particular men but about human faults. I think the closing sentiment is "If you believe it touches you, it is you -- not me -- that criticize you."
This is a tall (almost 8" x 11½") hardbound book with soft covers. It offers thirty-one fables, each with its own two-page spread, by a variety of authors. The only surprise among the authors is Jean-François Guichard, who presents "El sapo y la luciérnaga" (38). Apparently the toad eats the glow-worm because the glow-worm does something that the toad cannot do, namely "brillar," shine. It seems that Hartzenbusch also told this fable, and that may be the source of its inclusion here. I think Hartzenbusch's "Monkey, Ass, and Mole" is new to me (24-25). Monkey complains of not having a tail, ass of not having horns, and mole of being blind. Typical of the book's big, strong art is "Los toros y las ranas" (30-31). I am happy to see a less frequent fable like SS show up in this group (52-53). Did I know before Iriarte's provocative fable of "The Elephant and the Other Animals" (56-57)? The elephant offers comments on how to live a good life and criticizes harmful faults. The predators start to criticize and leave. Apparently Iriarte's point is that he is not writing about particular men but about human faults. I think the closing sentiment is "If you believe it touches you, it is you -- not me -- that criticize you."
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Editorial Libsa
Editorial Libsa
Editorial Libsa
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10582 (Access ID)
10582 (Access ID)
10582 (Access ID)